From 1977 to his untimely death in 1993, Amos Guttman directed six films, all of them deeply personal reflections of his own life. Interviews with lovers, family and friends--including some of the most important people in Israeli cinema--tell the gripping story of a strikingly handsome, charismatic and deeply passionate gay man who has become a revered cult figure in Israeli cinema.Interviews with the late filmmaker and fascinating footage of him on the set convey the same passion that comes through in scenes from his films, lovingly selected by documentarian Ran Kotzer. Like Fellini, Guttman transformed his dreams and everyday conversations with friends and family into integral parts of his pictures. He is most remarkable for his striking and original use of the frame. Every shot is a treasure. Amos Guttman dared to portray subjects that were taboo in his society, and his search for the right of individual expression is the connecting link of his works.

Amos Lasher loses his wife and home in an accident, finding himself in the care of the state, or specifically speaking, the Sunset Nursing Home. Here he finds the head nurse, Daisy Daws, ruling the cowed patients with an iron hand, but as his determination to get out of Sunset grows, the more sinister his situation becomes.

A behind-the-scenes documentary by George Lucas about 29-year-old Francis Ford Coppola and his crew creating the 1969 film "The Rain People."

A gay Isreali film maker, Amos Guttman died of aids in 1998 at the age of 38. This is his story.

A documentary about ultra-low budget guerrilla filmmaking, deep in the heart of Texas.

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A conversational web series where guest artists and filmmakers discuss the best in cult and underrated cinema.

A retrospective of documentary films by Donald Brittain offering a glimpse of the man and the restless energy that informed his work. Dedicated and hard-working Brittain left nothing to chance, driving himself and his colleagues at the NFB and the CBC until perfection was achieved, or until airtime -- whichever came first.

Margaret Perry, now in her eighties, is the unsung heroine of the Nova Scotia film industry. For over a quarter of a century, she shot, directed, wrote and edited all the tourist films for the province. Through her camera, we view changes in the landscape, in lifestyles, and in film technology.

Samuel and Lourdes are a humble marriage that go out of their way taking care of the land and their Lord properties. The owner of the house is Víctor, an ancient vampire that only feeds himself with the blood of bad people. Generation over generation, Samuel's family has been in charge of the duty of protecting their Lord but now, Samuel and Lourdes have two problems: they can not have a baby and a mysterious vampire relative arrives to the place turning everything upside down.